Großartig, wieder in typischer Blumentopfmanier, pfiffig, intelligent, witzig, “eine Stimme ändert nichts? Frag mal Al Gore oder Heide Simonis”. Supergeil!
Category Archives: Politics, Economics & Society
Die größte Wahlkampagne aller Zeiten
Die Idee: Wir produzieren einen Wahlaufruf-Film, den jeder personalisieren kann. Dabei kannst du im Spot auftauchen und eine Freundin oder einen Freund direkt ansprechen und sie/ihn bitten, zur Wahl zu gehen.
Der Film ist im Stil eines Nachrichtenbeitrags gehalten und berichtet über eine gigantische Werbekampagne eines einzelnen Wählers, der damit eine andere Person zum wählen animieren möchte. Man sieht riesige Plakatflächen, Luftschiffe, Demonstrationen. Ein gigantischer Aufwand, der zeigen soll wie wichtig jede einzelne Wählerstimme für die Demokratie ist. Und der natürlich beeindruckend aussieht.
Am 25.08. von 09:00 bis 12:00 drehen wir die Demonstrationsszene am Schiffbauerdamm, Ecke Luisenstraße. Komm vorbei und dreh mit uns, je mehr desto besser!
Mehr findest du auf waehlengehen.wordpress.com
Videoduell: Franziska Drohsel vs Johannes Vogel
Ein schönes Videoduell von politik.de zwischen Franziska Drohsel (Juso-Vorsitzende) und Johannes Vogel (Juli-Vorsitzender). Beide wirken durchaus sympathisch, inhaltlich gibt es einige Unterschiede und die vorhandenen Gemeinsamkeiten überraschen.
Megaspree
“Ein Jahr nach dem Bürgerentscheid „Spreeufer für alle“ wollen wir dagegen demonstrieren, dass vieles was Kreuzberg-Friedrichshain lebenswert und besonders macht, verdrängt wird. Wir werden nicht zulassen, dass die (sub-)kulturelle und soziale Infrastruktur und unsere urbanexperimentelle Underground- Kiez- und Clubkultur durch einen musikalischen und kulturellen Mainstream ersetzt wird, den wir auch noch mit steigenden Mieten bezahlen müssen. Wir wollen gemeinsam entscheiden, was in und mit unserer Stadt geschieht. Komm zur Demo-Parade am 11. Juli. Wir werden laut sein, wir werden viele sein. Wir sind die Kinder Berlins.”
Und so wars:
Vodafone new German brand campaign
Nobody really likes their telco provider. Everybody can tell a story of a contract which could not be cancelled, about intransparent tariffs, crazy roaming prices (send one mail, pay 5 EUR) and unsatisfying service hotlines. So telecommunication is not a sexy product and what is the telco’s approach to that problem? Change their products? No, it’s massive investment in marketing. Which is why e.g. Peter tells us why telcos are doomed.
Now, Vodafone Germany puts 200 mio. 50-90 mio (!) EUR in a big marketing campaign. And makes it even worse by especially targetting a group of people who feel the need to be online a lot, call them “generation upload” and starting all sorts of social media channels (Facebook, MySpace, Twitter and so on). While the term itself might be questionable, the targetting itself is quite smart in my opinion: it is an interesting, important and targettable group. What is missing here in the branding strategy is the consumer insight!
These people who use telecommunication more than others know exactly about the lack of good contracts, good service and fair treatment by their telco provider. They are the ones who are able to tell all the stories I started this blogpost with. Targetting them with advertising without changing the behaviour is exactly the way of one-way marketing and placebo dialogue that should be over since the days of the Cluetrain manifesto.
Vodafone picked the advertising company Scholz & Friends especially for their ideas on social media. But Scholz is an advertising company. They are not business consultants. And social media won’t change that. They talk to marketing directors about ads, not about products. They might talk about products over coffee, but they will never change a company’s behaviour. Claiming to do so, claiming to listen, claiming to put the customer first and then not living up to the expectations is worse than not even rise all sorts of expectations at all.
Of course this is not my sole opinion. The German blogosphere is filled with harsh, taunting, zynical and serious critique. No one of the targeted “generation upload” is impressed by the campaign which was presented this week in a press conference streamed live to the web. Johannes writes in a very short and precise post how a real change could have looked like.
Unlike many commenters I am not talking about sell-out of the blogosphere because some bloggers and prominent twitter users are testimonials of the campaign. That’s not the core of the problem. On the contrary: I hope, they get paid a LOT for being in that campaign. Sascha Lobo, one of the main faces should receive around 100K EUR in my estimation, everything less would be dissapointing.
Moreover, the clip itself is crap! It’s an ad which we have seen in around 100 variations for 100 products in the last 20 years: young, happy, enganged, curious, active people doing young, engaged, active stuff. Wohoo! And the David Bowie interpretation is hideous and hurts! Just to remind you that Vodafone can do better, here is the “Bohemian like you” spot again.
Update:Nevertheless, it’s a very visible campaign and all the buzz that has been created is obviously free brand space. Plus: If you work in internet marketing and like to create social media tools for companies yourself, this is a brilliant example to point to. May it be for the use of social media channels in general or the overall message I hope I made clear in this post: Social media can be about listening and in the end changing behaviour. I am curious how this works out for Vodafone.
The best Michael Jackson remixes
A true Stylewalker leans back. And waits and reads all the Michael Jackson posts and remixes and then selects the best for the reader. (the picture ist taken by the brilliant Ralph Uetzelhöffer who does very nice textportraits) Here we go:
LehtMoeJoe’s Beat it remix – in your face!
Bird Petersons Thriller remix – also very funky face
The Hood Internet / Ratatat Remix to Billie Jean – some kind of Roulé feely music sounds better with you’ish floor smoother
And finally a nice mash of “I want you back” with Lil’ Wayne (find more MJ mashs at Kickin Peanuts)
Boyz Noize – Eat it remix -heavy rock disco
Thriller Disco Tech Remix
– Prins Tomas space disco style, very close to the original
Louis La Roche Thriller remix
– another very compressed, tight floor filler with some fragments and happy moments
Thank you Hype Machine, Popwreckoning, Aimt.us, Chromekids
Looking back at Reboot11
Danish is a funny language. Let alone pronouncing the Reboot11‘s venue “Kedelhallen” correctly is a command of its own. It’s something like “cahilhäln” but we never got it right. Said it, looked into puzzled faces, wrote it down and were told “oh, you mean cahilhäln!” Finally got there, were amazed.
An old industrial building with several rooms, the walls covered with handwritten paper and plans and rooms and talks, with small wooden chairs outside and a 3d printer which can repair its 3d printer brother and a supercreative crowd who didn’t care about business cards and seemed to be really interested in answers (not the kind of people that ask “so, what do you do?” and then look the other way).
And: Whenever talks mentioned the word “crisis”, they never meant the financial crisis but were talking about the climate crisis ahead and how to adress it with smart technology and will. Most of the sessions I found interesting, but I was surprisingly dissapointed by two internet legends who seemed not to care so much about inspiring people: Dave Winer who just let the audience talk and produced a lot of unstructred noise (nothing against open mic but without some outlines there will be nothing of substance) and Stowe Boyd who told us to use our rights on the net. Yeah, thanks.
But some stuff was truly amazing, there was a hellride through all sorts of geo location examples and tools by Andrew Turner, a very dark yet humorous speech by Bruce Sterling (“get the best bed you can get!”) and again, the Placebo of tech festivals, David Weinberger about Cyberutopianism. Not to mention Tor Nørretranders who showed us how literally sharing your shit makes things better.
Look for more posts about reboot11, thank you again Peter for suggesting me to go!
Win tickets for an epic party night!

Picture from lastnightsparty.com
So, you like the Berlin style, the groove, the noisy, excessive party? The wall-chique, the fabrics, the industrial meets prosecco scene? The slim jeans, the checked shirts, the sunglasses that are needed to cover worn faces from the morning sun? The guestlists, the sorry-today-only-invited parties, the secrets, the word of mouth hints to illegal places?
Yes, I know you do, that’s why you read Stylewalker. So now you can be part of such a thing, I am giving away 2 tickets for an exclusive party with some pumping music. The only thing you have to do is find out which party I am talking about!
This party is actually not so secret so it is possible to find out. And here are some hints:
1st it will take place july 2nd
2nd it is a party sponsored by a clothing brand
3rd friends of mine organize a blogger reachout so they asked me to give away tickets
4th you probably find out googeling some keywords because of 3rd
Go hunt!
First comment with the right answer wins.
Petition zur Überprüfung der GEMA-Abrechnungsmethodik
Die GEMA will in Zukunft mehr Geld von Veranstaltern und das kann bei kleinen Locations schnell dazu führen, dass Konzerte mehr kosten als sie bringen und ergo: gar nicht mehr statt finden können. Auf der anderen Seite bemisst sich der Auszahlungsschlüssel an die von der GEMA vertretenen Künstlern nach Airplays und intransparent erhobenen Verkaufscharts. Weder die Forderung an Live-Veranstalter noch die Gelderverteilung sind angemessen und zeitgemäß. Das Verfahren muss politisch überprüft werden (schließlich ist die GEMA Monopolist) und dazu gibt es eine Petition.
Via Pianojoe im Wortlaut:
“Liebe Musiker und Nichtmusiker, das Universum braucht Eure Hilfe.
Wohl und Wehe der kleinen lokalen Musikszene hängt davon ab, bei Veranstaltungen Gewinn zu machen, d.h., die Kosten überschaubar zu halten. Ein großer Kostenfaktor sind die GEMA-Gebühren. Nun ist die GEMA prinzipiell eine sehr sinnreiche Einrichtung, allerdings sind die derzeitigen Abrechnungs- und Verteilungsmethoden sehr zum Nachteil von uns “Kleinen” (Veranstaltern, Komponisten und Musikern). Das liegt daran, dass nur die “Großen” im Vorstand sitzen.”
Diese braucht bis 17.7.09 50000 Unterschriften um im Parlament zur Vorlage zu kommen. Zeichnet mit!